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No Way Home: A Dancer's Journey from the Streets of Havana to the Stages of the World, by Carlos Acosta
Ebook Free No Way Home: A Dancer's Journey from the Streets of Havana to the Stages of the World, by Carlos Acosta
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Pressestimmen
"A debut memoir noteworthy for its candor, energy and colorful sketches of life in Cuba...A fresh, authentic account of art, adversity and family. -- Kirkus"An eloquent portrait of an artist as well as a tribute to the flawed but committed parents who wanted a better life for him." -- Publishers Weekly"Carlos Acosta's trajectory from street urchin to superstar is another astonishing example of the transcendent power of dance. In this brutally honest account of his struggle to reconcile two conflicting worlds, we discover the source of inner conflict that has alchemized into passionate intensity onstage and made him one of ballet's most thrillingly charismatic performers." -- Julie Kavanagh, author of Nureyev: The Life"The smell and feel of Havana, the joys and dangers of the slums where Carlos Acosta grew up, are among the dominant tastes to be found in this tale. Love of family and love of country -- along with an adolescent loathing of ballet -- are the anthems running through Acosta's autobiography." -- Time Out London"The dazzling Carlos Acosta is the Cuban Billy Elliot, a poor kid who triumphed over prejudice and humble origins.... his fascinating recollections suggest that [he] is a tormented genius." - Daily Mail, London"Acosta is that rare breed: a superstar whose appeal reaches beyond the rarefied confines of the ballet world. It is not just for his talent that audiences love him, but for the inspiration of his personal history." -- The Observer, London"Carlos Acosta is the best thing in ballet since Nureyev. What's clear from his candid and moving memoir is that the rich rhythms and climate of his birthplace in Cuba are behind every step he takes." -- Daily Express, London"The life of ballet dancer Carlos Acosta has all the hallmarks of a bestseller: rags to riches, romance, family tragedy, and a unique insight into growing up poor in Cuba in the 1980s. In No Way Home, Acosta's voice is instantly likeable." - Financial Times, London
Produktinformation
Taschenbuch: 304 Seiten
Verlag: Scribner; Auflage: Reprint (30. Dezember 2008)
Sprache: Englisch
ISBN-10: 141656716X
ISBN-13: 978-1416567165
Größe und/oder Gewicht:
14 x 2 x 21,4 cm
Durchschnittliche Kundenbewertung:
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Amazon Bestseller-Rang:
Nr. 307.674 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
This wonderful autobiography explains Acosta’s focus, charm, and emotional engagement in his art. He’s unafraid to disclose that he cries often, easily falls in love with sensuous women, and makes professional demands of himself that often are in opposition to his inclination to walk away from his art. It’s not until you’ve been mesmerized and emotionally slapped around through about 90% of his book that you understand its title. Still in his 20’s at the time of the story, he’s likened to Nijinsky, completely understands the enormity of his talent, and knows the roots of his rawness are buried deep in the poverty of his Cuban childhood. An extraordinary story by a hugely talented man, told in a voice that uses the English he has learned as a kind of instrument that only he can play.
It was a great history of Cuba during a certain period, and Acosta (if he really wrote it) is a great story teller (and braggart about his sexual partners and exploits, which I guess is a selling point.) However, as others have said, he is a whiner and didn't seem to fully appreciate the great opportunities he had to dance abroad. So much repetitive complaining, "oh my Cuba, oh my family, oh my neighborhood." Not in the book: he made a ton of money and sent back a lot to the Cuban National Ballet for Alicia Alonso's permission to dance abroad.Considering that everyone in Cuba currently receives about $25 a month no matter what the job, he is very rich. He returned to Cuba in 2015 and created his own dance company, Acosta Danza, which recently performed in New York. They were great.
...this book will fascinate you. This is ultimately a tale about finding one's place in the world; a place that seemingly evades and, at times, can appear as unattainable as a mirage. Carlos Acosta's descriptions of his familial and economic hardships are honest and direct without being either exploitive or self-deprecating. He states things as they are, but the lyrical quality of his writing lends his ultra humble origins an unmistakable air of dignity and pride. Even as he conquered the highbrow world of ballet, the boy who grew up in poverty in the Havana suburb of Los Pinos, never left his side. "Yuli" as his family called him, is ever present. The restless and truant boy who loathed ballet and dreamt of soccer and break-dancing is very much entrenched in the man who is considered the greatest classical male dancer of his generation. From playing "eating mud" to being the first ever black principal dancer of London's Royal Ballet, we come to know an individual who has struggled his entire life to stay close to people and places that his art necessarily pushed further away from him. Again, if you couldn't care less about ballet, you'll find a little bit of yourself within its pages, as this book will undoubtedly speak to everyone. At its core, it's a humanistic a tale as they come. Funny, moving, haunting and honest, No Way Home: A Dancer's Journey from the Streets of Havana to the Stages of the World is a deeply rewarding experience that reminds us of the price we must pay for the choices we make.
This is not a book to be judged by its cover. Although No Way Home by Carlos Junior Acosta is his story about becoming a world-class ballet dancer, it is that story about the becoming that has pulled me from page to page as a Cuban boy, born into poverty, defied place, people and time to reach the heights, literally and professionally, he has achieved. So little is known by so many of us about the real struggles of people who live on the islands of the Caribbean. Little is known by so many of us about the racism in Cuba, about what life is really like when people struggle against so much. This is not an anti-Castro book either--and I am thankful for that because I live in Miami Beach and have heard more than enough about the evils of Fidel. Instead the reader is carried along as a young boy fights against his black father--a father of many children by many women. Junior wants to be the next Pele, the greatest soccer player. But his father insists otherwise: his son will become a ballet dancer. I loved how accepting the Cubans appeared to be of a boy taking ballet, something we do not experience in this country. Mr. Acosta has sprinkled in wonderful dialog, rich descriptions of his white mother, of his two half-sisters, of the places where Junior had to endure life. The book is divided into three sections: the boy and adolescent, the maturing young man, and the powerful ballet professional as an adult. I highly recommend this book to anyone interested in the real life in Cuba as well as the humanness of a man who could so easily have written awful things about his father but chose instead to rise to a high level of grace.
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